carvingúce0

3 O    RangÄ™ of Expressions

HAPPY

Referring now to the same people smiling, it is re-markable how similar the facial reactions are in two very different people — the heavy crinkling under and at the corners of the eyes and the deepening of the naso-labial furrows. Another furrow appears on both, running from below the chin, up the cheek. This can be seen in an extreme form in Fig. 64. It should be elear from these pictures that the common practice of cutting lines in the face with a 'V' tool is totally inadequate and inappropriate. These folds are either soft and smooth or deep with sharply rounded edges. Nowhere is there a 'V'. One could conceiv-ably use it for the creases on the man's forehead but the edges would have to be rounded.

The muscles radiating from the mouth are con-tracting and pul ling the lips upwards and baekwards. There is also some contraction of the circular muscle round the eye. This clearly demonstrates the folding of the skin created at right angles to the direction of the muscle contraction.

Fig. 61

Wyszukiwarka

Podobne podstrony:
carving?ceP 5 O    RangÄ™ of Expressions DETERMINATION Fig. 101 depicts the Gallic war
carving?ceS RangÄ™ of Expressions CHARACTER Character in faces is a rather elusive thing to pin down.
carving?ce1 RangÄ™ of Expressions 31
carving?ce3 RangÄ™ of Expressions The young boy, Figs 68 and 69. is a natural smiler. Notice t
carving?ce5 RangÄ™ of Expressions 35  
carving?ce6 3 6    RangÄ™ of Expressions SADNESS These two studies, Figs 75 and 77, ar
carving?ce9 RangÄ™ of Expressions 39 Figs 80-81 ANGER Figs 80 and 81 show the face of aggression in w
carving?ceA RangÄ™ of Expressions 41 Fig. 84
carving?ceI RangÄ™ of Expressions 49 Figs 98-99 Fig. 100
carving?ceQ RangÄ™ of Expressions    51 Fig. 107 WORKING FACES Figs 105 and 106 showin
carving?ceR 5 2    RangÄ™ of Expressions Figs 109-1 W expect on an older person. This
carving?ceU RangÄ™ of Expressions SUBTLE EXPRESSIONS if expressions must be obvious and unambiguous,
carving?ceV RangÄ™ of Expressions The traces of concern on the Masa i warrior s face, Fig. 114, indic
carving?ceX RangÄ™ of Expressions Figs 119-120 The face of the teenage girl, Figs 119 and 120, shows

więcej podobnych podstron