20086 scale

20086 scale



SCALĘ SYLLABUS


LEGEND: H = Half Step, W CHORD/SCALE SYMBOL


FIVE BASIC CATEGORIES


: Whole Step.; A = Major 7th; SCALĘ NAMF.

Major

Dominant 7th (Mixolydian) Minor (Dorian)

Half Diminished (Locrian) Diminished (8 tonę scalę)


+ or # = raise H; b or * = lower H; 0 = Half-diminished; -3 = 3H (Minor Third)

BASIC CHORD IN KKY OK C

CEGBbD CEbGBbD CEbGbBb


WHOLE & HALF STEP eoNSTRucriON WWIIWWW1I W W H W W H W W H W W W H W HWWHWWW W H W H W H W H


SCALK IN KRY OFC


CDEFGABC

CDEFGABbC

CDEbFGABbC

CDbEbFGbAbBbC

CDEbFGbAbABC

1. MAJOR SCALĘ CHOICES CA (Can bc written C) C

CA+4

CA

CAb6

CA+5,+4

C

c

c

c

SCALĘ NAME

Major (ck>n’t emphasize the 4th) Major Pentatonic Lydian (major scaic wilh +4) Bebop (Major)

Harmonie Major Lydian Augmented Augmented

6 tli Modc of Hannonic Minor Diminished (begin with H step) Blues Scalc

W & Ii CONSTRUCTION

W W H W W W H W W -3 W -3 WWWHWWH WWHWHHWH WWHWH-3H W W W W H W H -3H-3H-3H -3 HWHWWH HWHWHWHW -3WHH-3 W

SCALĘ IN KF.Y OF C

CDEFGABC

CDEGAC

CDEF#GABC

CDEFGG*ABC

CDEFGAbBC

CDEF*G*ABC

CD^EGAbBC

CD*EF*GABC

C Db D# E F* G A Bb C

C Eb F TU G Bb C

BASIC CHORD IN KKY OFC

CEGB

CEGBD

CEGBD

CEGBD

CEGSBD

CEGBD

CEGBD

CEGBD

CEGBD

2. DOMINANT 7th SĆALE CHOlCF.S

SCALĘ NAME

W & H CONSTRUCTION

SCALĘ IN KEY OF C

BASIC CHORD IN KKY OF Ć

C7

Dominant 7th

W W H W W H W

CDEFGABbC

CEGBbD

C7

Major Pentatonic

W W -3 W -3

CDEGAC

CEGBbD

C7

Beboo (Dominant)

W W H W W H H H

CDEFGABbBC

CEGBbD

C7b9

Spanish or Jcwish scalę

H-3HWHWW

C Db E F G Ab Bb C

C E G Bb (Db)

C7M

Lydian Dominant

WWWHWHW

C D E Fi? G A Bb C

CEGBbD

C7bó

Hindu

W W H W H W W

CDEFGAbBbC

CEGBbD

C7+ (r,as«4&55)

Whole Tonę f6 tonc scalc)

W W W W W W

C D E Fr G? Bb C

C EG» BbD

C7b9 (also has &9 & H)

Diminished {begin with H step)

H W H W H W H W

C Db D# E F* 0 A Bb C

C E G Bb Db (D?)

C?-ri?(aischasb9,i*4,*5y>.v : •

Diminished Whole Tonc

U W H W W W W

C Db Dr E F“ G* Bb C

C E G? Bb D# (Db)

C;

DOMINANT 7th

Blues Scalę

-3WHH-3W

CEbFF*GBbC

C EG BbD(D*9

C7 SUS 4 X. MAY BK

C7 sus 4 wKrrrK.N-C7 sus 4 c^c

Dcm. ?th sric tul don': cmphr<i;oc the trird

W W H W W H W

CDEFGABbC

CFGBbD

Major Pentatonic built on b?

W W -3 W -3

Bb C D F G Bb

CFG BbD

Bebop Scaic

W W H W W H H H

CDEFGABbBC

CFGBbD

3. MINOR SCALĘ

Dioices*

SCALĘ NAME

W & H CONSTRUCTION

SCALĘ IN KEY OF C

BASIC CHORD IN KEY Of C

C -óTĆ-7“'

Minor (Dorian)

WHWWWHW

CDEbFGABbC

CEbGBbD

C-orC-7

Pcntatcnic (Minor Pentatonic)

-3 W W -3 W

CEbFGBbC

CEbGBbD

C-orC-7

Bebop (Minor)

W HHH W W H W

CDEbEFGABbC

CEbGBbD

C-A (maj. 7th)

Melodie Minor (asccndiog)

W H W W W W H

CD EbFGABC

CEbGBD

C- or CA) or C-

Bebop Minor No. 2

W H W W H H W H

C D Eb r G G" A B C

CEbGBD

C-orC-7

Blues Scalę

-3WHH-3W

C Eb F F# G Bb C

CEbGBbD

C-A (b6 & maj. 7tli)

Hannonic Minor

W H W W H -3 H

CDEbFGAbBC

CEbGBD

C-orC-7

Diminished (begin with W step)

WHWHWHWH

CDEbFFr G*ABC

CEbGBD

C-orC-b9b6

Phrygian

H W W W H W W

C Db EbFG Ab BbC

CEbGBb

C- or C-b5

Pure or Natura! Minor, Acolian

WHWWHWW

C D Eb F G Ab BbC

CEb G BbD

4. HALF DIMINISHED SCALĘ CHOICES

SCALĘ NAME

W A H CONSTRUCTION

SCALĘ IN KRY OFC

BASIC CHORD IN KEY OF Ć

C0

Half Diminished (Locrian)

H W W H W W W

C Db Eb F Gb Ab 3bC

FEFCKW

C0*2 (C 09)

Half Diminished »2 (I,ocrian £2)

W H W H W W W

CDEbFGb Ab BbC

CEb Gb BbD

C0 (willi or without r?2)

Bebop Scalc

H W W H H H W W

C Db Eb F Gb G Ab Bb C

C Eb Gb Bb

5. DIMINISHED SCALĘ

zmcis-

SCALĘ NAME

W H CONSTRUCTION

SCALĘ IN KEY OF C

BASIC CHORD IN KEY OFC

CT~

Diminished (8 tonę scalc)

WHWHWHWH

CDEbFGbAbABC

CPbGb A


NOTES: 1) The above chord symbol guide is my system of notation. I feel it best represents the sounds I hear in jazz. 'Ilie player should be aware that cach chord symbol represents a scrics of tones callcd a scalę. 2) Even tliough a C7+9 would appear to havc only a raised 9th, it also has a b9, +4 and +5. $o the entire C7 ? 9 scalę would look likc: Root, b9, +9, 3rd, +4, +5, b7 & root (C, Db, I)#, E, F#, G#, Bb, C). My chord symbol C7+9 is therefore an abbrcviation, while the complete name oftitis scalę is Diminished Whole Tonę (somctim.es callcd Super Locrian or Altcrcd Scalę). Similarly, C7b9 also appears to have only one altered tonę (b9) but it actually has three: b9, +9 and +4. The entire scalę looks likc this: Root, b9, +9, 3rd, +4, 5th, 6th, b7 & root (C, Db, D#, E, FU, G, A, Bb, C). This is called a Diminished scalę and my chord symbol abbreviation is C7b9. 3) Ali scalcs under the Dominant 7th category are scalcs that ombcliish the basie Dominant 7th sound. Some scales provide much morę tension than the basie dominant 7th sound and require practice and patience to grasp the essence of their meaning. I encouragc you to work with the first $ide of Volume 3 ‘The 11-Y7-1 Progression” sińce it emphasizes Diminished and Diminished Whole Tonę scales and chords. 4) * - In category- U3, MINOR SCALĘ CHOICES, the PURE MINOR scalę choice is not used very often. I havc found the order of preference to be Dorian, Bebop, Melodie, Blues, Pentatonic, and then any of the remaining Minor scalc choices.


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