41891 tmta 6
Basic doublet
4a _
4. Basic doublet, mid 14th century onwards a. The neck can be plain or have a narrow band collar. Hip sections are long, with side vents, and have points stitched inside for separate hose. The sleeves are quite plain and tight at the wrist: in the 14th century they were fastened with a dozen or morę buttons. Later they had just one or two. The body is laced closed. The whole garment could be lightly padded and guilted.
Fastenings - see Methods, Figs 16-21 Most doublets were laced at the front (Fig 4a) and buttoned at the wrists, but sometimes they were buttoned at the front (Fig 4b). Despite the close fit of the doublet, no extra width needs to be added for fastening, as the buttons and holes are very close to the edge (Pis 2, 3). The number of buttons on each sleeve varied, from a dozen or morę in the 14th century to one or two by the middle of the 15th.
For tying a doublet to hose see Methods, Fig 18.
b
b. The standing collar with characteristic V back was usual for the 15th century. The front is fastened with buttons, though lacing was still morę common. The hip sections might be shortened for joined hose, and have eyelets for trussing.
5. Pattern for Fig 4 -►
a. Bodice. Tracę round the personal bodice Błock. For a sleeveless doublet use the lowered neckline for the round collar and the larger armholes indicated by the broken lines.
Hip section - Add balance marks to the side seams for the vents. The broken linę shows a shorter version for wear with joined hose. See Fig 7 for eyelet positions.
Round collar (Fig 4a) - Lower the neck linę by 3-4 cm all round. Tracę off the back and front neck pieces above the new linę and cut them out. Slash each piece in two or three places from the inner curve almost to the outer. On a fresh piece of paper position the back and front pieces together at a. Open out the slashes slightly on the neck edge to lengthen it by 1-2 cm. Draw round the pieces to make a pattern for half the collar, which will have a seam at CB.
b. Standing collar (Fig 4b). This is a two piece collar, planned on the Błock but cut separately. Plan the new neck linę. From 5-10 cm down the CB linę rule a slanting linę to the shoulder, 2-4 cm away from NP. From the corresponding point on the front shoulder draw a curved neck linę which can dip slightly to CF. Measure the length of the new neck linę.
For the collar itself, draw a CB linę initially following the shaping of the back, then running straight to 5 cm above the Błock neck linę. Mark the SG. Rule another slanting linę from CB to about 20 cm beyond the shoulder linę, spacing it 0.5 cm from the new neck linę at the shoulder. Mark off from CB the total neck linę to define the neck edge of the collar to CF. The balance mark shows where it meets the shoulder seam.
Make a trial sketch of the collar upper edge, tracę off the collar pattern and make a calico toile for fitting. If it is too tight, adjust the front collar section as shown by the fine outlines. This lengthens the upper edge while keeping the neck edge the same. Its approximate front shape is outlined by the fine broken linę.
Sleeve - Use your sleeve Błock unaltered.
96
Wyszukiwarka
Podobne podstrony:
35492 tmta7 1 1 Basic kirtle 2. Basic kirtle, iater 14th century onwards The shape follows the pers
tmta0 Men’s cotehardies 44. Men s cotehardies, mid 14th century Cotehardie sleeves were commonly sh
25358 tmta 1 2. Open hoods, mid 14th century onwards A practical garment, worn by women of lower sta
tmta0 6. Fashionable doublet, mid to late 15th century The collar was high and st
tmta8 7. Outer garments - cotehardies WormarYs cotehardie, later 14th century MerYs cotehardies, se
tmta 7 4. Barbette and filiet, 13th and eariy 14th century, PI 5 a. The barbette w
IB6 Punched Kicked Thrown16 Drawing a portion of the knocked-out-character s body in the foreground
45275 tmta 2 3a 3. Round hoods, mid 15th century onwards These forms, derived from the open hood and
17272 tmta 1 Flat-fronted kirtle7. Flat-fronted kirtle, mid 15th century onwards This kirtle was wor
tmta4 20 cm8. Sleeveless surcotes, 13th to mid 14th century A morę elaborate cut than Fig. 7, and s
tmta5 Women s open surcotes 9. Women s open surcotes, mid 14th century on Later surcotes are worn o
więcej podobnych podstron