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Naturally, being able to draw a head is only part of it. The big thing is to be able to animate the head, to put interesting expressions on the face. So, here we go again.
The faces on these pages were all constructed exactly like the one you’ve just been studying. Notice how John is able to change the expression as often as he likes simply by making slight alterations in the mouth, the eyes, and the eyebrows. Each expression is obvious. Each expression is different. And each expression can be mastered by you if you’ll merely study them carefully and follow these few simple tips:
Keep your female faces simple. Use no extra expression lines on the forehead, or around the mouth or nose.
We repeat, you don’t need a lot of lines to show expression, or to change an expression. Keep it clean and open.
Study your own face in the mirror. Practice making different expressions yourself and see what happens to your face when you do. Most artists are their own best models—and the only equipment you need is a mirror.
Virtually the same rules apply to małe faces as to female faces (regarding expressions). So study this section carefully, and apply the same formulae to the various małe characters you may wish to draw.
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