Best Friend










BEST FRIEND

Like most of the earliest Futurlan
stories, "Best Friend" was written to fill a hole in one of the
magazines I was editing. I think it was in Edwin Balmer and Philip Wylie's After
Worlds Collide that I had, years before, read a throwaway line
about a vanished alien race whose pets had been as intelligent as modern human
beings. I had wanted to explore Mat further, from the point of view of the
pets: Cyril agreed, and "Best Friend" was the result

Moray smoothed his whiskers with
one hand as he pressed down on the accelerator and swung easily into the top
speed lane. Snapping the toggle into a constant eighty-per, he lit a
meat-flavored cigarette and replaced the small, darkly warm bar of metal in its
socket. He hummed absently to himself, Nothing to do after you were in your
right lane
not like flying. He turned on the radio.

'by Yahnn Bastion Bock,' said the
voice. Moray listened; he didn't know the name.

Then there breathed into the
speeding little car the sweetly chilly intervals of a flute-stop. Moray smiled.
He liked a simple melody. The music ascended and descended like the fiery speck
on an oscillograph field; slowed almost to stopping, and then the melody ended.
Why, Moray wondered plain-lively, couldn't all music be like that? Simple and
clear, without confusing by-play. The melody rose again, with a running mate in
the oboe register, and like a ceremonial dance of old days they intertwined and
separated, the silvery flute-song and the woody nasal of the oboe. The driver
of the little car grew agitated. Suddenly, with a crash, diapasons and clarions
burst into the tonal minuet and circled heavily about the principals.

Moray started and snapped off the
radio. Try as he would, he never could get used to the Masters' music, and he
had never known one of his people who could. He stared out of the window and
stroked his whiskers again, forcing his thoughts into less upsetting channels.

A staccato buzz sounded from the
dashboard. Moray looked at the road-signs and swung into a lower speed-lane,
and then into another. He looped around a ramp intersection and drove into a
side-street, pulling up before a huge apartment dwelling.

Moray climbed out into the strip
of fuzzy pavement that extended to the lobby of the building. He had to wait a
few moments for one of the elevators to discharge its burden; then he got in
and pressed the button that would take him to Floor L, where lived Birch, whom
he greatly wanted to marry.

The elevator door curled back and
he stepped out into the foyer. He quickly glanced at himself in a long pier
glass in the hall, flicked some dust from his jacket. He advanced to the door
of Birch's apartment and grinned into the photo-eye until her voice invited him
in.

Moray cast a glance about the room
as he entered. Birch was nowhere to be seen, so he sat down patiently on a low
couch and picked up a magazine. It was lying opened to a story called, 'The
Feline Foe.'

`Fantastic,' he muttered. All
about an invading planetoid from interstellar space inhabited by cat-people. He
felt his skin crawl at the thought, and actually growled deep in his throat.
The illustrations were terrifying real
in natural color, printed in three-ply
engravings. Each line was a tiny ridge, so that when you moved your head from
side to side the figures moved and quivered, simulating life. One was of a
female much like Birch, threatened by one of the felines. The caption said, '
"Now," snarled the creature, "we shall see who will be Master
!" '

Moray closed the magazine and put
it aside. 'Birch !' he called protestingly.

In answer she came through a
sliding door and smiled 'at him. 'Sorry I kept you waiting,' she said.

`That's all right,' said Moray. 'I
was looking at this thing.' He held up the magazine.

Birch smiled again. 'Well, happy
birthday !' she cried. 'I didn't forget. How does it feel to be thirteen years
old?'

`Awful. Joints cracking, hair
coming out in patches, and all.' Moray was joking; he had never felt better,
and thirteen was the prime of life to his race. 'Birch,' he said suddenly.
'Since I am of age, and you and I have been friends for a long time --'

`Not just now, Moray,' she said
swiftly. 'We'll miss your show. Look at the time!'

`All right,' he said, leaning back
and allowing her to flip on the telescreen. 'But remember, Birch
I have
something to say to you later.' She smiled at him and sat back into the circle
of his arm as the screen commenced to flash with color.

The view was of a stage, upon
which was an elaborately robed juggler. He bowed and rapidly, to a muttering
accompaniment of drums, began to toss discs into the air. Then, when he had a
dozen spinning and flashing in the scarlet light, two artists stepped forward
and juggled spheres of a contrasting color, and then two more with conventional
Indian clubs, and yet two more with open-necked bottles of fluid.

The drums rolled. 'Hup!' shouted
the master-juggler, and pandemonium broke loose upon the stage, the artists
changing and interchanging, hurling a wild confusion of projectiles at each
others' heads, always recovering and keeping the flashing baubles in the air. 'Hup!'
shouted the chief again, and as if by magic the projectiles returned to the
hands of the jugglers. Balancing them on elbows and heads they bowed
precariously, responding to the radioed yelps of applause from the invisible
audience.

`They're wonderful!' exclaimed
Birch, her soft eyes sparkling.

`Passably good,' agreed Moray,
secretly delighted that his suggested entertainment was a success from the
start.

Next on the bill was a young male
singer, who advanced and bowed with a flutter of soulful eyelids. His song was
without words, as was usual among Moray's people. As the incredible headtones
rose without breaking, he squirmed ecstatically in his seat, remembering the
real pain he had felt earlier in the night, listening to the strange, confusing
music of the Masters.

Moray was in ecstasy, but there
was a flaw in his ecstasy. Though he was listening with all his soul to the
music, yet under the music some little insistent call for attention was coming
through. Something very important, not repeated. He tried to brush it aside ...


Birch nudged him sharply, a little
light that you might have called horror in her eyes. 'Moray, your call! Didn't
you hear it?'

Moray snatched from a pocket the
little receiving set his people always carried with them. Suddenly, and
unmuffled this time, shrilled the attention-demanding musical note. Moray
leaped up with haste ...

But he hesitated. He was undecided

incredibly so. 'I don't want to go,' he said slowly to Birch, astonishment at
himself in every word.

The horror in Birch's eyes was
large now. 'Don't want to! Moray ! It's your Master!'

`But it isn't
well, fair,' he
complained. 'He couldn't have found out that I was with you tonight. Maybe he
does know it. And if he had the heart to investigate he would know that
that
' Moray swallowed convulsively. 'That you're more important to me than even he
is,' he finished rapidly.

`Don't say that!' she cried,
agitated. 'It's like a crime! Moray you'd better go.'

`All right,' he said sullenly,
catching up his cape. And he had known all along that he would go. 'You stay
here and finish the show. I can get to the roof alone.'

Moray stepped from the apartment
into a waiting elevator and shot up to the top of the building. 'I need a fast
plane,' he said to an attendant. 'Master's call.' A speed-lined ship was
immediately trundled out before him; he got in and the vessel leaped into the
air.

One hundred thousand years of
forced evolution had done strange things to the canine family. Artificial
mutations, rigorous selection, all the tricks and skills of the animal breeder
had created a super-dog. Moray was about four feet tall, but no dwarf to his
surroundings, for all the world was built to that scale. He stood on his hind
legs, for the buried thigh-joint had been extruded by electronic surgery, and
his five fingers were long and tapering, with beautifully formed claws capable
of the finest artisanry.

And Moray's face was no more
canine than your face is simian. All taken in all, he would have been a
peculiar but not a fantastic figure could he have walked out into a city of the
Twentieth Century. He might easily have been taken for nothing stranger than a
dwarf.

Indeed, the hundred thousand years
had done more to the Masters than to their dogs. As had been anticipated, the
brain had grown and the body shrunk, and there had been a strong tendency
toward increased myopia and shrinkage of the distance between the eyes. Of the
thousands of sports born to the Masters who had volunteered for genetic
experimentation, an indicative minority had been born with a single,
unfocussable great eye over a sunken nosebridge, showing a probable future line
of development.

The Masters labored no longer;
that was for the dog people and more often for the automatic machines.
Experimental research, even, was carried on by the companion race, the Masters
merely collating the tabulated results, and deducing from and theorizing upon
them.

Humankind was visibly growing
content with less in every way. The first luxury they had relinquished had been
gregariousness. For long generations men had not met for the joy of meeting.
There was no such thing as an infringement on the rights of others; a sort of
telepathy adjusted all disputes.

Moray's plane roared over the
Andes, guided by inflexible directives. A warning sounded in his half-attentive
ears; with a start he took over the controls of the craft. Below him, high on
the peak of an extinct volcano, he saw the square white block which housed his
Master. Despite his resentment at being snatched away from Birch he felt a
thrill of excitement at the sensed proximity of his guiding intelligence.

He swung the plane down and
grooved it neatly in a landing notch which automatically, as he stepped out,
swung round on silent pivots and headed the plane ready for departure. Moray
entered through a door that rolled aside as he approached. His nostrils flared.
Almost at the threshold of scent he could feel the emanations of his Master.
Moray entered the long, hot corridor that led to his Master's living quarters,
and paused before a chrome-steel door.

In a few seconds the door opened,
silently, and Moray entered a dark room, his face twitching with an exciting
presence. He peered through the gloom, acutely aware of the hot, moist
atmosphere of the chamber. And he saw his Master
tiny, shrivelled, quite
naked, his bulging skull supported by the high back of the chair.

Moray advanced slowly and stood
before the seated human. Without opening his eyes, the Master spoke in a slow,
thin voice.

`Moray, this is your birthday.'
There was no emphasis on one word more than another; the tone was that of a
deaf man.

`Yes, Master,' said Moray. 'A

friend and I were celebrating it when you called. I came as quickly as
possible.'

The voice piped out again, 'I have
something for you, Moray. A present.' The eyes opened for the first time, and
one of the Master's hands gripped spasmodically a sort of lever in his chair.
The eyes did not see Moray, they were staring straight ahead; but there was a
shallow crease to the ends of his lips that might have been an atavistic
muscle's attempt at a smile. A panel swung open in the wall, and there rolled
out a broad, flat dolly bearing an ancient and thoroughly rotted chest. Through
the cracks in the wood there was seen a yellowish gleam of ancient paper.

The Master continued speaking,
though with evidence of a strain. Direct oral conversation told on the
clairvoyant, accustomed to the short cuts of telepathy. 'These are the
biographies of the lives of the North American Presidents. When you were very
young
perhaps you do not remember
you expressed curiosity about them. I
made arrangements then to allow you to research the next important find of
source-material on the subject. This is it. It was discovered six months ago,
and I have saved it for your birthday.'

There was a long silence, and
Moray picked up one of the books. It had been treated with preservatives, he
noted, and was quite ready for work. He glanced at a title page
unenthusiastically. What had interested him in his childhood was boring in full
maturity.

`Are you ready to begin now?'
whispered the human.

Moray hesitated. The strange confusion
that he had felt was growing in him again, wordlessly, like a protesting howl.
'Excuse me, please,' he stammered, stepping back a pace.

The Master bent a look of mild
surprise upon him.

`I am sorry. I
I don't wish to
do this work.' Moray forced himself to keep his eyes on the Master. There was a
quick grimace on the face of the human, who had closed his eyes and was slumped
against the back of the chair. His sunken chin twitched and fell open.

The Master did not answer Moray
for a long minute. Then his eyes flicked open, he sat erect again, and he said,
'Leave me.'

And then he stared off into space
and took no further notice of Moray.

`Please,' said Moray hastily.
'Don't misunderstand, I want very much to read those books. I have wanted to all
my life. But I' He stopped talking. Very obviously, the Master had eliminated
Moray from his mind. Just as Moray himself, having had a cinder in his eyes,
would drop from his mind the memory of the brief pain.

Moray turned and walked through
the door. 'Please.' he repeated softly to himself, then growled in disgust. As
he stepped into the plane once more he blinked rapidly. In the hundred thousand
years of evolution dogs had learned to weep.

Moray, looking ill, slumped deeper
into the pneumatic couch's depths. Birch looked at him with concern in her warm
eyes. `Moray,' She said worriedly, 'when did you sleep last?'

`It doesn't matter,' he said
emptily. 'I've been seeing the town.'

`Can I give you something to eat?'


`No,' said Moray. With a trace of
guilt he took a little bottle from his pocket and gulped down a couple of white
pills. 'I'm not hungry. And this is more fun.'

`It's up to you,' she said. There
was a long silence, and Moray picked up sheets of paper that were lying on a
table at his elbow. 'Assignments as of Wednesday,' he read, and then put down
the sheaf, rubbing his eyes with a tired motion. 'Are you doing any work now?'
he asked.

Birch smiled happily. 'Oh, yes,'
she said. 'My Master wants some statistics collated. All about concrete
pouring. It's very important work, and I finished it a week ahead of time.'

Moray hesitated, then, as though
he didn't care, asked : `How are you and your Master getting along?'

`Very well indeed. She called me
yesterday to see if I needed an extension of time for the collation. She was
very pleased to find I'd finished it already.'

`You're lucky,' said Moray
shortly. And inside himself, bursting with grief, he wondered what was wrong
between his own Master and himself. Three weeks; not a single call. It was
dreadful. 'Oh, Birch, I think I'm going mad!' he cried.

He saw that she was about to try
to soothe him. 'Don't interrupt,' he said. 'The last time I saw my Master I

made him unhappy. I was sure he would want me again in a few days, but he seems
to have abandoned me completely. Birch, does that ever happen?'

She looked frightened. The thought
was appalling. 'Maybe,' she said hastily. 'I don't know. But he wouldn't do
that to you, Moray. You're too clever. Why, he needs you just as much as you
need him!'

Moray sighed and stared blankly.
'I wish I could believe that.' He took out the little pill-bottle again, but
Birch laid a hand on his.

`Don't take any more, please,
Moray,' she whispered, trying desperately to ease his sorrow. 'Moray
a while
ago you wanted to ask me something. Will you ask me now?' `I wanted to ask you
to marry me
is that what you mean?' `Yes. To both questions, Moray. I will.'

He laughed harshly. `Me! How can
you marry me? For all I know I've lost my Master. If I have, I
I'm no longer
a person. You don't know what it's like, Birch, losing half your mind,
and your will, and all the ambition you ever had. I'm no good now, Birch.' He
rose suddenly and paced up and down the floor. 'You can't marry me!' he
burst out. 'I think I'll be insane within a week! I'm going now. Maybe you'd
better forget you ever knew me.' He slammed out of the room and raced down the
stairs, not waiting for an elevator.

The street-lights were out; it was
the hour before dawn. Obeying a vagrant impulse, he boarded a moving strip of
sidewalk and was carried slowly out to one of the suburbs of the metropolis. At
the end of the line, where the strip turned back on itself and began the long
journey back to Central Square, he got off and walked into the half-cultivated
land.

He had often wondered
fearfully

of the fate of those of his people who had been abandoned by their Masters.
Where did they go? Into the outlands, as he was?

He stared at the darkness of the
trees and shrubs, suddenly realizing that he had never known the dark before.
Wherever his people had gone there had been light
light in the streets, light
in their cars and planes, light even at night when they slept.

He felt the hair on his head
prickle and rise. How did one go wild? he wondered confusedly. Took off their
clothes, he supposed.

He felt in his pockets and drew
out, one by one, the symbols of civilization. A few slot-machine tokens, with
which one got the little white pills. Jingling keys to his home, office, car,
locker, and closet. Wallet of flexible steel, containing all his personal
records. A full bottle of the pills
and another, nearly empty.

Mechanically he swallowed two
tablets of the drug and threw the bottle away. A little plastic case ... and as
he stared at it, a diamond-hard lump in his throat, a fine, thin whistle
shrilled from its depths.

Master's call! He was wanted!

Moray climbed from the plane under
the frowning Andes and almost floated into the corridor of his Master's
dwelling. The oppressive heat smote him in the face, but he was near laughing
for joy when he opened the door and saw his Master sitting naked in the gloom.

`You are slow, Moray,' said the
Master, without inflection.

Moray experienced a sudden chill.
He had not expected this. Confusedly he had pictured a warm reconciliation, but
there was no mistaking the tone of the Master's voice. Moray felt very tired
and discouraged. 'Yes,' he said. 'You called me when I was out at the fields.'

The Master did not frown, nor did
he smile. Moray knew these moods of the cold, bleak intellect that gave him the
greater part of his own intelligence and personality. Yet there was no greater
tragedy in the world of his people than to be deserted
or, rather, to lose
rapport with this intelligence. It was not insanity, and yet it was worse.

`Moray,' said the Master, 'you are
a most competent laboratory technician. And you have an ability for
archaeology. You are assigned to a task which involves both these divisions. I
wish you to investigate the researches of Carter Hawkes, time, about the
Fifteenth Century Anno Cubriensis. Determine his conclusions and develop, on
them, a complete solution to what he attempted to resolve.'

`Yes,' said Moray dully. Normally
he would have been elated at the thought that he had been chosen, and he
consciously realized that it was his duty to be elated, but the chilly voice of
his conscience told him that this was no affectionate assignment, but merely
the use of a capable tool.

`What is the purpose of this
research?' he asked formally, his voice husky with fatigue and indulgence in
the stimulant drug.

`It is of great importance. The
researches of Hawkes, as you know, were concerned with explosives. It was his
barbarous intention to develop an explosive of such potency that one charge
would be capable of destroying an enemy nation. Hawkes, of course, died before
his ambition was realized, but we have historical evidence that he was on the
right track.'

`Chief among which,' interrupted
Moray
deferentially
'is the manner of his death.'

There was no approval in the
Master's voice as he answered, `You know of the explosion in which he perished.
Now, at this moment, the world is faced with a crisis more terrible than any
ancient war could have been. It involves a shifting of the continental blocks
of North America. The world now needs the Hawkes explosive, to provide the
power for re-stabilizing the continent. All evidence has been assembled for
your examination in the workroom. Speed is essential if catastrophe is to be
averted.'

Moray was appalled. The fate of a
continent in his hands! `I shall do my best,' he said nervelessly, and walked
from the room.

Moray straightened his aching body
and turned on the lights. He set the last of a string of symbols down on paper
and leaned back to stare at them. The formula
complete!

Moray was convinced that he had
the right answer, through the lightning-like short cuts of reasoning, which
humans called `canine intuition.' Moray might have felt pride in that ability

but, he realized, it was a mirage. The consecutivity of thought of the Masters

not Moray nor any of his people could really concentrate on a single line of
reasoning for more than a few seconds. In the synthesis of thought Moray's
people were superb. In its analysis ...

A check-up on the formula was
essential. Repeating the formula aloud, Moray's hands grasped half a dozen
ingredients from the shelves of the lab, and precisely compounded them in the
field of a micro-inspection device. Actually, Moray was dealing with units
measured in single molecules, and yet his touch was as sure as though he were
handling beakers-full.

Finally titrated, the
infinitesimal compound was set over a cherry-red electric grid to complete its
chain of reactions and dry. Then it would explode, Moray realized
assuming he
had the formula correct. But, with such a tiny quantity, what would be the
difference?

Perhaps
at utmost
the room
would be wrecked. But there was no time to take the stuff to the
firing-chambers that were suspended high over the crater of the extinct volcano
on flexible steel masts, bent and supported to handle almost any shock.

Moray swallowed two more pellets
of the drug. He had to wait for its effect upon him, now, but he dared not take
a larger dose.

He strode from the room, putting
the formula in his pocket.

Wandering aimlessly through the
building, he was suddenly assailed by the hot, wet aura of his Master. He
paused, then nudged the door open a trifle and peered longingly within.

The Master was engaged in solitary
clairvoyance, his head sagging down on his scrawny chest, veins and muscles
visibly pulsing. Even in the utter darkness of his room, he was visible by a
thin blue light that exuded from the points and projections of his body to flow
about the entire skin.

The Master was utterly unconscious
of the presence of his servant. Though Moray was not a child or a fool, he
stemmed directly from the beautiful, intelligent creatures that used to hunt
and play with men, and he could not stand up to the fierce tide of intellect
that flowed in that room. With a smothered sound he turned, about to leave.

Then Moray heard a noise
quiet
and almost restful at first, like a swarm of bees passing overhead. And then it
rumbled into a mighty crash that made the elastic construction of the Master's
house quiver as though stricken.

Suddenly he realized
the Hawkes
explosive! It had worked! He looked at his Master, to see the blue glare fade
as though it were being reabsorbed into his body. As the last of it vanished,
lights glowed on around the room, bringing it to its accustomed shadowy
twilight. The Master's head lifted.

`Moray,' he whispered tensely. Was
that the explosive?'

A thin little ripple of delight
surged along Moray's spine. They could both be blown to splintered atoms in the
explosion, and the continent they were trying to save along with them
he
didn't care! His Master had spoken to him!

He knew what he had to do. With a
little growl that was meant to say, `Pardon!' he raced to the Master's side,
picked him up and flung him over a shoulder
gently. They had to get out of
the building, for it might yet topple on them.

Moray tottered to the door, bent
under the double burden; pushed it open and stepped into the corridor. The
Master couldn't walk, so Moray had to walk for him. They made slow progress
along the interminable hall, but finally they were in the open. Moray set his
burden down, the gangling head swaying, andFelt unutterably, incontrovertibly
idiotic! For the air was still and placid; and the building stood firm as a
rock; and the only mark of the Hawkes explosive was a gaping mouth of a pit
where the laboratory had been. Idiot! Not to have remembered that the Hawkes
would expend its force downward!

Moray peered shamefacedly at his
Master. Yet there was some consolation for him, because there was the skeleton
of a smile on the Master's face. Clearly he had understood Moray's Motives, and
... perhaps Moray's life need not finally be blighted.

For a long second they stood there
looking into each other's eyes. Then the Master said, gently, 'Carry me to the
plane.' Not stopping to ask why, Moray picked him up once more and strode
buoyantly to the waiting ship. Letting the Master down gently at the plane's
door, he helped him in, got in himself, and took his place at the controls.

`Where shall we go?' he ask.

The Master smiled that ghost of a
smile again, but Moray could detect a faint apprehension in his expression,
too. 'Up, Moray,' he whispered. 'Straight up. You see, Moray, these mountains
are volcanic. And they're not quite extinct. We must go away now, up into the
air.'

Moray's reflexes were faster than
an electron-stream as he whipped around to the knobs and levers that sent the
little ship tearing up into the atmosphere. A mile and a half in the sky, he
flipped the bar that caused the ship to hover, turned to regard the scene
below.

The Master had been right! The
explosion had pinked the volcano, and the volcano was erupting in retaliation
a hot curl of lava-was snaking into the atmosphere now, seemingly a pseudo-pod
reaching to bring them down. But it was thrown up only a few hundred feet; then
the lava flow stopped; cataclysmic thunderings were heard and vast boulders
were hurled into the sky. It was lucky they'd got away, thought Moray as he
watched the ground beneath quiver and shake; and luckier that no other person
had been around, for the ship could carry but two.

And as he stared, fascinated, at the
turmoil below, he felt a light, soft touch on his arm. It was the Master! the
first time in all Moray's life when the Master had touched him to draw
attention, Moray suddenly knew, and rejoiced he had found his Master again!

`Let us go on, Moray,' whispered
the Master. 'We have found that the explosive will work. Our job, just now, is
done.'

And as Moray worked the controls
that hurled the ship ahead, toward a new home for his Master and toward Birch
for himself, he knew that the wings of the ship were of no value at all. Tear
them off! he thought, and throw them away! His heart was light enough to bear a
world!

 








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